March 24, 2019
Published in: Editorials
Eva Herzigova takes us on a sensual journey by Philip Gay for Harper’s Bazaar Russia, April 2019. Lightness awakens as beauty abounds watching her dance in dreamy surround. A balletic inspired interpretation explores the glamour of a romantic journey. Meeting her lover for a tryst of play she takes to a ship for a glorious getaway. We watch her careen through the corridors, colliding w…
September 4, 2015
Published in: Editorials
The Era of Supermodels Descend upon us as Cindy Crawford, Tatjana Patitz, Nadja Auermann, Eva Herzigova, Karen Alexander & Helena Christensen unite in the ‘In Love With’ story by Peter Lindbergh for Vogue Italia. Holding nothing back these 6 women dare to expose themselves in very unique ways. Gone is imagery designed to make us desire, here we are left with that which i…
July 29, 2014
Published in: Editorials
Luigi Murenu + Iango Henzi embark on a trip through true beauty in ‘Perfect Icons’ for Vogue Japan, September 2014. Capturing the world of modern photography, Luigi & Iango, take their talents in a new direction. Embracing the art of haute couture, (Stylist) Giovanna Battaglia brings forth a kaleidoscope of creation, with a triumphant taste of avant-garde fashion. Bas…
February 10, 2014
Published in: Avant-Garde
Eva Herzigova plays it up in this electrifying shoot by David Sims for Love Magazine #11 S/S 2014. Savage beauty meets avant-garde style in this artistic array of mystery and madness. An exquisite hint of crystallized color, (Fashion Editor) Katie Grand concentrates on the hands with a glittered dip of charcoal wonder. Modern makeup done right, Isamaya Ffrench brings the drama home wit…
November 29, 2012
Published in: Avant-Garde, Editorials
It’s a fashion explosion in ‘Jolgorio Y Algarabia’ by Mario Testino for the December issue of Vogue Spain. Devour the decadence in this high-gloss world of glamour and excess, starring Natasha Poly, Eva Herzigova, Isabeli Fontana, Jon Kortazjarena and Aymeline Valade. A nod to the swinging-60′s, this dynamic editorial reminds us of a time when unfiltered exhibi…