October 12, 2016
Published in: Covers
Madison Stubbington poses in poetic reflection in “APSE” by Aaron Michael for ODDA Magazine, F/W 16-17. “Spaces” was taken at Flushing Meadows Corona Park, New York, for the Art and Architecture Issue. Machines meld with movements of the mind as pictures portray a stunning effect. The softness of humanity forges forth as the motion of abstract metal is met. Mergi…
March 20, 2016
Published in: Avant-Garde
Lindsey Wixson celebrates a decade of defiance, in this playful piece dedicated to ODDA Magazine’s 10th Anniversary Tributes Issue. ODDA embraces avant-garde photography with imagery that incites independence. Lindsey invites Yuri Pleskun along for the ride, as they run through each frame free to just be. This compelling couple captures our imagination, with fiery attitudes …
March 16, 2016
Published in: Avant-Garde
Sylvester Ulv Henriksen mimics the late London Performance Artist, Leigh Bowery, in ‘The Blitz‘ by Oliver Shipton for ODDA Magazine, March 2016. Reveling in the fury of fantasy this story plays out like a festival of facade. Posed in a series of altered avant-garde wares, this piece pushes past the limited view of sexuality. Editor-in-Chief, David Martin, composes a…
December 26, 2014
Published in: Avant-Garde
Rasa Zukauskaite succumbs to mannequin mania in ‘Morphosis’ Special Prada Archives by Lucia Giacani for ODDA Magazine. Art invades with thought-provoking images that delve into the deepest part of the mind. A rich mix of curiosity and couture, (Stylist) Alba Melendo uses avant-garde fashion to inspire our imagination. One-of-a-kind pieces play the part as each outfit lend…
July 5, 2012
Published in: Avant-Garde, Editorials
Breaking new ground in the avant-garde fashion movement, Odda Magazine, is premiering as a revolutionary force and vanguard of “Reality-Reading.” And with a debut including Milou Sluis in ‘Reinvenzione Di Versace,’ by Juan Martin, we see the attraction. Standing at the vortex of change, their vision is one that includes a visceral experience. A pr…